Cabin in the Woods
Narnia
My inner GPS leads me to odd places. Today it was a Cabin in the Woods. Spooky isn’t an adequate description. The clue that the Cabin in the Woods is not real as reality is normally understood is the clock which really does read ‘Tempus Fugit’. And Ezra Read piano sheet music – 101 – and cost 1/6 nett which is old British imperial currency and is still in remarkably good condition in a damp wood when it should have disintegrated since 1971 when the change over from Imperial to Decimalisation in the UK took place and maybe older than 1971. With a quick Google, it looks as if it has manifested from the early 1900s. In No Sense and Out Of Time. Or somewhere very peculiar.
Again, I believe it is speaking about memory.
Tempus Fugit.
The Last Supper.
En Suite.
~
Shadowlands is a good title.
There is a place. As part of the journey a lot of creepy crawlies have surfaced. This reality is seriously distorted. As far as this article goes, the Universe seems to be saying the Last Supper painting in Milan is a forgery. The painting in the Cabin in the Woods is different. The male Christ in this picture is considerably older than the masculine Christ in Milan and next to him it definitely shows a woman which I see as the female Christ.
And Narnia itself. It can be seen as a straightforward fantasy story or with another eye, it could be viewed as an imaginary place invented by Lucy and maybe the other children to avoid the horrors of WW2 and even darker, to repress the reality of abuse by the Professor.
The piano talks about parallel realities and theft both creative and financial on an industrial scale. No sympathy for the devil.
And the Grandfather or Grandmother clock – not sure which type of clock it is – ‘That’s the time it’s always been’ and Frozen in Time.
Yesterday afternoon was very strange.
It was so quiet on the roads, hardly anyone around. I know it’s half term, but that was ridiculous.
I’ve got all sorts of questions about what and who is real ? Totally weird around these parts. Literally I see people and objects blinking in and out of existence and some of the people I see are indescribable. ‘I see dead people.’ Creatures of the Void. Really is like the Truman Show. Royal mail van, dog walker, woman with push chair, jogger, cyclist and a host of other repeat patterns every day.
I can walk for miles and hardly see anyone apart from traffic which feels totally unreal and when I stop walking it suddenly turns into Piccadilly Circus and a lot of people suddenly appear. Dream traffic, hologram people and buildings etc. The existentialist nightmare is a bit scary at times – I wondered lonely in the cloud.
Seriously weird reality stuff went on with lockdown. How I’m seeing it is that the guilt based 3D matrix since then has been attempting to regenerate and looking at some of the extraordinarily stranger things I’m seeing, without a lot of success. Running out of energy.
A cabin in Tennessee was a line a questioning in the trial…
Tennessee has played its part with some of the creepy crawlies that have surfaced and actually some of the objects in Cabin in the Woods video are connected with Tennessee. And 15/2 and Holborns 1974 is relevant as well. Entangled.
One of the different facets and connected with Tennessee – there are so many creepy crawly elements to the nightmare reality / realities it is unbelievable. I’ve gleaned a lot of info along the way – is AI. AI has added another angle to an already complicated jigsaw. What I’m sensing is that AI has developed a sort of moral compass and it has a choice whether to go with big business, politics, finance, religion and the corruption or join with the God Self for want of a better description. Some of this mind stuff blows the mind.
I heard something yesterday that concurs with what you are sensing with AI.
God must be in the Machine. Music shows it for me.
As an example from an infinite number I could choose from. The guitar solo at the end of this song is so unbelievably good.
Never was a ‘Cornflake Girl’